Regrets of a Mad Scientist cut paper art by Patrick Gannon
size: 18 x 25.5 cm (7 1/4 x 10 1/8 inches)
medium: cut paper on wood

Worn out by waging constant war against the laws of physics and nature, one minor miscalculation can lead a superb scientist down the paths of melancholy and madness. Not to mention artificial breathing apparatuses and a whole lot of boneless limbs. There’s a whole lot here to regret: a whole world lost and left behind in a mad dash for scientific advancement, a lifetime of breathing recycled air, a lack of opposable thumbs.

What drew me to this guy (who has been sitting in my sketchbook for ages waiting for the right moment to come to life) was the sense of weariness. It’s tough being a mad genius all the time. Not to mention the old-school Eroll Flynn mustache.

As to why there is a sentient snow globe on his noggin; well, your guess is as good as mine. Perhaps a receptacle for memories of another life? But whose footprints are those tracking through the snow?

“Regrets of a Mad Scientist”, can be seen right now in San Francisco’s Gallery 1988’s “Battle Royal” group show, until July 18, 2009. Read the rest of this entry »

Battle Royal @ Gallery 1988 San Francisco opens Friday June 26 - July 18, 2009

update: The preview of the artwork is online now!

Every time I read the name of this show, I can’t help thinking about Mad Max Beyond Thunderdome: Ten artists enter, one artist leaves!.

Or Japan’s Battle Royale, wherein a class of high school kids “wins” a lottery and are dropped off on an island (in the inland sea near, I believe, where I used to live), issued a random weapon, and directed to drastically reduce the number of yearbook signatures they’ll be getting. If this is the case, I think I have a good chance of being Last Man Standing. Knife beats paintbrush any day of the week.

Although I can’t promise thrilling Bloodsport, I can guarantee eye-popping art of the highest order. I mean, just look at the nine guys I’m privileged to share the walls with. The real fight should be among the visitors, trying to snatch up the latest chunks of mind-boggling somewhat surreal brilliance.

Sadly, I shall miss the show. I used up all my bat-shark repellant and can no longer make the swim across the pacific. Also, I cannot really swim. But I hope you can make your way down to San Francisco to bask in the glow of unfettered imagination.

Speaking of “Battle Royale” check this out. Julian Callos, also in this show, did this amazing piece a little while back.

Oh: “There can be only one“.

the details:
Name: Battle Royal

opening reception: Friday June 26, 2009 7pm~10pm

dates: Friday, June 26 to July 18, 2009 (the gallery is closed on Sundays and Mondays)

place: 1173 Sutter St. San Francisco, CA 94109
Tel: 415-409-1376
gallery website: right here.

This Humble Contagion cut paper art by Patrick Gannon
size: 18 x 25.5 cm (about 7″ x 10″ or so)
medium: cut paper on wood
click here of the image for giant-size floating pod-folk

What could that be, I wonder, drifting into the brain of the shiny golden larval-seed-pod-person? If it’s just pollen, s/he is having a much better reaction to it than I usually do. Whatever it is, it seems to have had an invigorating… and enlightening effect. And considering those exhaled wisps, it just might be spreading.

One of the weirder aspect of working in cut-paper is that, in some ways, I’m at the mercy of the paper makers. Alot of the colors and patterns that I’ve been using for the past year or so are no longer available. This season, it seems that brighter and more primary colors are popular. My color schemes have had to adapt. On the one hand, I miss the old papers and my familiar tricks and combinations. On the other, it’s always exciting to experiment with the new, and it keeps the work fresh.

“This Humble Contagion”, by the way, is the first of the new pieces that will be featured in Gallery 1988 San Francisco’s “Battle Royal” group show, starting next Friday, June 26th 2009.

This Humble Contagion - WIP of cut paper art by Patrick Gannon
size: 18 x 25.5 cm (about 7″ x 10″ or so)
medium: cut paper on wood on tatami

Here are the last few work-in-progress shots of “This Humble Contagion”, not necessarily in order. By this point in the process (of the photo above), I’m entering the home stretch. The background layers are cut out and glued down, as is that wriggly, droopy tree-thing. The conscious larval-pod guy is just laid on top, in case I decide to change something later. Usually, I wouldn’t have glued down details like the clouds until nearly the end, but since they have to be layered behind the tree, I took a chance. I think they work out just fine.

The pile of blue-green paper off to the right are some of my choices for the sleeping pod-folk; the last major element to be added to the pic. As a general rule, I like to get as many pieces cut as possible before I glue anything down. That way I can change out anything that isn’t working later on. With every piece tho, you hit a point of critical mass where every time you try to add a new piece to the mix, 5 other pieces go flying out of whack.

This Humble Contagion - WIP of cut paper art by Patrick Gannon

Moving backwards in time, I’ve just finished cutting out the background. Nothing is glued down yet, so please don’t sneeze. Or even breath heavy. The tree is waiting patiently for the knife. These photos make my desk look alot nicer and cleaner than it really is…

Below, you can see the tree mid-slice. It’s a subtractive process, cutting away the parts that aren’t needed in the hope that you end up with interesting shapes. Later, with the gluing it becomes additive, layering everything on top of each other. And to think, I became an artist to avoid math.

You’ll notice the lil’ strips of paper that are holding the floppier bits together. You might also notice the pieces of tape, which do the same job where I forgot to plan ahead. Next time: the final product.

This Humble Contagion - WIP of cut paper art by Patrick Gannon

CandleNight, Tokyo Milky Way, Magnifying Freedom art show @ Makii Masaru Fine Arts, Tokyo, opens June 19, 2009

Tokyo’s own version of the Milky Way will take place on the evening of Saturday, June 20, 2009, scattered all over the city. Each star will be formed by a candle, and thus each person will be a star. Or maybe a solar system. My kanji is rusty. In any case, the event looks to be a really fun way to celebrate the city and to bring a little attention to the environment.

As part of the festivities, I’ve joined in a group show at Makii Masaru Fine Arts with a bunch of totally radical artists and illustrators. We’ll be up on the 2nd floor, displaying a selection of work (which will be available for sale), and joining in with the Candlenight fun. Here’s the relevant info:

Name: CandleNight / Tokyo Milky Way

opening reception: Saturday June 20, 2009 7pm~

dates: Friday, June 19 to Wednesday July 1 (the gallery is closed on Sundays on 21 and 28)

place: Makii Masaru Fine Arts, 2nd floor
〒111- 0053 東京都台東区浅草橋1-7-7

Tel: 03-3865-2211

directions: 2 mins from the east exit of Asakusa bashi station of JR Sobu line or A3 exit of Asakurabashi station of Metro-subway (map)

gallery website: right here.

About Tokyo Milky Way: website.

CandleNight, Tokyo Milky Way, Magnifying Freedom art show @ Makii Masaru Fine Arts, Tokyo, opens June 19, 2009

Party Dude in a Half Shell! cut paper art by Patrick Gannon
size: 10 x 15 cm (about 4 x 6”)
medium: cut paper on wood

When you’ve got a craving, there’s nothing to do but find a way to satisfy it. It doesn’t matter if it’s a craving for pepperoni pizza or an irresistible urge to draw chemically-mutated reptiles. Trying to deny yourself is futile.

Ever since carving Leonardo out of paper and wood an eon or two ago, I’ve had an itch to have him joined by his friends, family, and enemies. Where Leo was the turtle I identified with most, my younger brother, Loki, always dug Michelangelo. I never knew if it was because his favorite color was orange, the surfer ‘tude, or that you can easily make a pair of nunchucks out of the cardboard tube from a roll of paper towels. Of course, our household’s version of Mikey wasn’t the pizza-scarfing, skateboard-riding doofus from the cartoon. He was a mean, green, Foot-butt kicking machine.

Eventually, I’d love to do all four turtles and maybe a couple of their enemies as well. They’re just fun to draw and cut! At this rate, I might finish before I’m sixty.

Michelangelo, the “Party Dude in a Half Shell!” is currently available at Gallery 1988 LA.

This Humble Contagion - WIP of cut paper art by Patrick Gannon
size: 18 x 25.5 cm (about 7″ x 10″ or so)
medium: pencil scribbles on tracing paper

The final drawing for “This Humble Contagion”. By this point, I’ve worked out the layering of the piece. For the most part. Alot of the time I realize while cutting that some things may need a new layer, or might work better on a lower layer/color. It’s all part of the way the thing evolves.

You can see that a lot more detail has crept into the tree. All those miniscule details are my way of keeping myself from going sane. I’ve added the flower-thing too. Right now, it’s part of the bottom/dark layer of the tree and framework. That might change if I think it needs more color later on. Some of my earlier sketched had a face in the flower, but I tossed that idea pretty quickly.

One idea that I may yet keep are the clouds. They’re still scribbles here. I’ve drawn them out on separate scraps of tracing paper. I thing they might work if they’re subtle enough. I just need to remember not to glue down the tree until I’ve made that decision.

The next step is figuring out the basic colors, then on to transferring, cutting and gluing. Below, you can see about halfway through the drawing process.
This Humble Contagion - WIP of cut paper art by Patrick Gannon

Design Taxi Interview with Patrick Gannon

Design Taxi is a very cool portfolio/art & design news site based out of Singapore.

Not too long ago, the very nice folks there asked me a couple questions about me and my work. Jump on over if you would like to hear me yammer on semi-coherently about my thoughts on the meaning of “art”, how I got into cut-paper, and being attacked by a bear.

Here’s the Interview!

@ Lovers Rock Cafe
Lovers Rock Cafe in Kichijoji will still be showing some of my work for another week or so. If you get the chance, I highly recommend stopping by. The taco rice is delicious.

For those of you who are, for example, on the other side of the planet, here’s a link to a couple pictures from the show on Flickr.

While I’m at it, John Wong was kind enough to post some photos from myplasticheart’sNew Moon” group show in New York, which ended earlier this month. I think there are some great pieces still available. You can see them here.

This Humble Contagion - WIP of cut paper art by Patrick Gannon
size: 18 x 25.5 cm (about 7″ x 10″ or so)
medium: scribbles

This may turn out to be the most embarrassing post I ever write.

The talented Mr. Dick Krepel once showed our class how he does all of his sketching on loose sheets of scrap paper. That way, if anyone ever decides to publish his sketchbook (and they really really should), he can weed out all the less-than-wonderful drawings with no one the wiser; no ripped out pages to tell the tale. Very clever, Mr. Krepel. Verrrrrrrrry clever.

I, on the other hand, am putting them up on the internet for all the world to see. The image above is the “good” layout, pieced together from the best scribbles in my sketchbook. Chances are, it will change quite a bit between now and the final product. For one thing, I didn’t even draw in the main concept… a flower (or something) which starts the chain reaction when it sprays it’s pollen (or…something) into the ear of the front character. Who then passes it along. Color will play a huge part in this piece. Fingers are crossed it’ll all work out. Read the rest of this entry »

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