July 2006

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OppositesFor my first piece for Illustration Friday I present: a slightly unfinished piece. All the paper bits are cut, but nothing has actually been glued down yet. Sorry about the digicam shot-it loses a bit of color and definition. Hopefully I’ll have this image replaced with the finished piece when I get a new scanner.

The mechanical flower seemed like a good match for the theme of “opposites”. It’s an idea that I haven’t used for ages and have been looking for an opportunity to get back to. I experimented with it a bit here, cutting the majority out of one piece of paper. I almost inverted the image (and may someday still), with the olive green being the background and most of the flower being white. Until I realized that there would be dozens of microscopic flower pieces floating around. Enjoy.

Pixar Exhibition imageThis weekend I got out of the house. That’s big enough news on it’s own, but wait! There’s more! I headed over to Roppongi Hills to see the PIXAR: 20 Years of Animation exhibition at the Mori Arts Center Gallery.

I fully and unabashedly confess to being a huge fan of Pixar. Yes, the images are amazing and the animation sublime. For me, though, it’s the tight storytelling that holds everything together. How perfect then that the exhibition concentrates on the evolution of the stories and the building of the characters.

The art was gorgeous. I particularly enjoyed the collages used as concept art for The Incredibles. That graphic retro vibe really appeals to me. In some cases I actually prefer the sketches to the finished art. Especially for Monsters, Inc., where the poor critters got more and more humanoid as the process went along. I dug the heck out of the film, but the idea of truly frightening, inhuman (and not at all cuddly) creatures in that story is enough to make my head go boom. Even if the film would have earned a fraction what it did at the box office.

The exhibition continues until August 27th before moving on to Fukushima.

Defender - Tentacled BeastieI always liked Defender, the old 8-bit Atari game, even when it kicked my tail. It was a fresh twist to be rescuing people from an alien invasion, rather than simply blasting away at said aliens.

Not so nice, maybe, for the poor captured humans, mutated into alien weapons to hurl at the player. This is the point of view I approached the game from when I saw some of the amazing artwork coming out of the I AM 8 BIT shows. A sort of “Invasion of the Body Snatchers”-meets-space-jellyfish creature helped me keep things fun as I explored the sad fate of the poor blips running around at the bottom of the screen.

Aside from the great source material, I also got the chance to play with a few recurring design elements. The wiggly borders from TakoButa-san show up, as do some of the things I was trying with Inoshishi.

Defender aliens originalHere’s a look at an original screenshot to give an idea where I pulled some visual cues from.

head.jpgHellboy Rocks. Mike Mignola Rocks. A comedy/action cartoon based on Mignola’s comic “The Amazing Screw-On Head” just had to Rock. And it does. Hard. After all, it has a mechanical secret agent working for Abraham Lincoln.

You can see the entire pilot online at SciFi.com. Then take the survey to know that you want to see more. I sure do.

The Cut-Paper StudioThis is the cut-paper studio.

One of the quirks of living in Japan is that furniture is just a touch smaller than I’m used to. This table is 2 or 3 cm shorter in all dimensions than the student drafting table I was using back in the States. Until I really get used to it, I expect I’ll keep knocking things off it. I learned quickly to be careful with anything liquid or sticky. Or sharp. On the plus side, it’s built like a rock. I also hope to be able to add a lamp to the mix one day.

Space is pretty vital over here, which is why everything is piled on top of one another. Rooms are measured in tatami mats (about 34 x 70 in). An average room like this is 6 mats. I began using one of the tables to flip through my piles and piles of paper, but that didn’t work out. The paper has a tendency to spread and fill any semi-available space. I’ve tried to control this entropy, but it’s pretty futile.
The Studio-Business NookHere’s the business nook. I try to keep my business and promotion work separate from where I do my art. The idea is to prevent distractions. Occasionally it works.

The computer is one of those newfangled intel-powered iMacs. Love it. It’s great to watch movies on. At night. After work. It does keep the music playing all day – something I find essential to doing any kind of art.

Inoshishi imageInoshishi is Japanese for boar. Like TakoButa-san, this picture was inspired by a competition, albeit with somewhat more stringent rules. For one thing, the subject was a boar – kind of a pig with anger-management problems. The image had to be one-color and fit inside a 15cm circle. I had been wanting to do a single color image for a while (and I plan on doing more in the near future), so I turned this into an experiment with positive and negative space. I also wanted to play around a bit with the decorative elements, the spirals and swirls shoved up against some perpendicular and parallel lines.

All in all, I like the image. It provides an interesting challenge for the viewer. Maybe more interesting to me than the piece itself is how the elements I was playing with here have found their way into my subsequent work. And who knows, this might make a cool t-shirt someday.

Raven Button from www.prickie.comIt just came to my attention that the “Raven” button-badge has flapped its way onto the Top Sellers list over at Prickie! Big Thanks to everyone who helped make this possible (you know who you are!). It’s extremely flattering that people would choose to wear my art, and I appreciate it!

spam sushiI love Japanese food. Pretty much all Japanese food. Okonomiyaki, yakitori, kushiage, sushi, sashimi, soba, udon, takoyaki (which, by the by, suffers from what may be the worst case of mis-translation in history, burdened with the unfortunate moniker “octopus balls”. They aren’t. I’m almost positive). Raw or cooked, grilled, breaded or fried, served in a broth or on a stick; no other cuisine can hope to match the sheer variety of subtle shades of flavor. There’s even a sake served with a grilled fish fin in it-and lit afire before drinking (note: please do not drink flame). Doesn’t sound all that special? It’s brain melting.

But there are some foods I just can’t get behind. Most of my friends think I’m talking about natto- I’m not. Nothing lurking in a damp, dark hole for a year or more still gets to call itself food. Not in my world, not while I’m still in charge.

Spam sushi menuSpam sushi. I’m pretty open-minded. I’ve gulped down some pretty questionable plants and critters in my time. Gone back for seconds too. But…spam. sushi. sushi with spam. It’s bizarre. It’s inconceivable. It’s available in Shinjuku at Tokyo Punch Kitchen. Advertising itself as a 「スパムむすびの店」- Tokyo Punch Kitchen is an entire shop dedicated to the idea that traditional sushi was neat, but sadly behind the times and missing that special something that only spam can provide. What blew my mind hardest was the menu. By which I mean the fact that there is a menu.

I almost regret not going in. True confession: I’ve never even tried spam. I know that it has a long and storied history in world culture. For now though, I think I’ll have my food on sticks.

Momtaro Buttons from www.prickie.comIntroducing “Momotaro”, 6 brand-new button-badges available through prickie. When I was a kid, maybe in those preteen years – just before you learn that some people think cool rocks and giant robots aren’t necessarily the most important things in life – I collected stuff. Keyrings, seashells, giant-robot models with tiny parts, coins, stamps, unidentifiable doodads and, of course, button-badges. They’re still sitting quietly in a plastic baggie tucked into the top lefthand drawer of my childhood dresser, waiting to confer tetanus on some poor groper.

Around the end of last year, I first heard of Prickie; probably through illustration mundo. Prickie makes buttons. Or badges, Or pins or button-badges or whatever they call these things in your part of the world. They have alot of cool buttons. My first batch consisted of Raven, OmniScience, and two variations on doombot bran. I thought they were pretty cool. Apparently a few other people did too. Thanks.

Momotaro is a Japanese otogibanashi (fable) about a boy born from a peach who befriends a dog, monkey, and pheasant on his way to beat the tar out of some Oni. Oni are, depending on the story, ogres, demons, or any of a wide variety of other unwholesome nastiness. The come in a few different colors, but I liked the classic red.

If there’s a piece of my artwork that you would like to wear on a pin, let me know. I’ll see what I can do.

‘Til then, a little monkey ought to hold you over.