I’ve noticed a sort of pattern in my thought process. Whenever I have an important descision to make, I ask the people I most trust for advice. The trick of it all is that I already know the answer, at least on some level. I’m just waiting for them to tell me what I already know. Those times when I felt incomplete, like something was missing, it was the same. The answer, that absent “something” was always with me. I just didn’t know how to see it.
The fun in making this piece came from finding a new way to work the paper into the texture of the wood. The grain of the wood was so nice that I didn’t want to lose it by covering it up. It seemed to suggest the sea, which I’m guessing is where the eyepatch came from. I had the chance to play around with translucent papers too, which is always an interesting challenge.
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Thanks again for the comments, all.
Kim – Without my kanji dictionary handy (it fell apart a little while back), I can’t be totally sure, but I think it’s cherry. It’s a heck of a thing finding good wood over here too. Probably ‘cuz I’m in the middle of a city. I have been told that I’m just looking in the wrong places, tho. My best find so far was a guy at a flea market who makes wood cutting boards. Gorgeous wood, cut nicely and fairly inexpensive. This piece was one of his. My wife keeps bugging me to donate one to the kitchen, but that just seems wrong.
Stangy – definitely small world! This explains the tree in your “poem” image. Enjoy the spanish moss and the alligators!



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