cut paper / board
private collection
Gero-Jii is a big, bumpy frog who lives on the tiny plot of land behind our apartment. He doesn’t do much, rarely even moves, and I’ve never heard him make a sound. But he still makes my wife scream every once in awhile. In Japan, an animal that comes with the season is often considered a visitor. Gero-Jii hops along, hauling the Tsu-yu (rainy season) along behind him. Sort of like the red-breasted robin in the eastern US, but with more warts and humidity.
Umi-Bozu are Japanese O-bake, ghost or monsters that haunt the seas. They are the bane of finshermen, boat-sinkers and drowners of sailors. Bozu, incidentally, is the character for “monk”; and the creature is so-named for it’s large, round head. Seeing as the Umibozu tower over ships and crew, Gero-Jii must be a particularly large specimen. It’s no surprise that frogs pop up in fairy tales and ghost stories so often. There’s something vaguely eerie about them, with their metamorphosis from tadpole and their living between two worlds. Or maybe it’s their zen-like calm as they sit in the middle of a dark street, mulling over whether they should cross.
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Damn. It’s a shame I don’t have any money to buy this work from you since my surfing nickname in Japan is “UMI-BOZU”. For some reason Japanese folks equate my clean head and eerie sea-blue eyes with this Yokai (spectre) , hee, hee.
See my post and link:
http://news.3yen.com/2007-08-30/umi-bozu-japanese-sea-monster/ -
There’s a great sense of depth in this piece. The black looks good, I often forget how much I love it as a colour, I don’t use it very often in my own work (in large surfaces), I don’t know why. I guess I just forget that as an option (if that makes any sense…).
I like reading about the background of your work, too, Japanese culture is fascinating!
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