Mimi Nashi Hoichi

Mimi nashi Hoichi cut-paper artJapan has its fair share of ghosts. The stories about them have been passed down through the generations, mesmerizing us with their mystery even as they scare a few years off our lives. Most are the stuff of oral legend, related to young children by an older sibling or friend (followed by a sleepless night). Like most oral traditions, much has been lost. It is lucky then, that Lafcadio Hearn collected so many tales of the weird in books such as “Kwaidan”. Mimi Nashi Hoichi is one such story. The full story is online here. Below is a summary, but Hearn spins it so well that it deserves to be read in full.

Hoichi was a young, talented and poor biwa player. He was also blind. While staying with a local priest, Hoichi is summoned to play for a personage of great importance. He does, with great (and slightly odd) success, and is invited back to play again. It turns out that his audience are ghosts, and since he has already been tricked by them once, they have some power over him. Recognizing the danger, the monk instructs his acolytes to write the Hannya-shin-kuo (a Buddhist script) on Hoichi’s body). They do so, and when the ghost comes to summon Hoichi that night, all he sees are Hoichi’s ears. Which the ghost then takes, to prove to his master that he has done his duty. Unfortunately, the ears were still attached to Hoichi. The acolytes had forgotten to write anything on Hoichi’s ears, rendering them visible to the ghost. Poor, blind Hoichi managed to keep quiet the whole time too. Good man.

Biwa players shaved their heads like monks, thus the baldness. This explains why, in the version of the story my astonishing wife heard as a child, Hoichi was a monk. Luckily, she was able to make up for this by supplying me with a copy of the Hannya-shin-kyo. The actual writing is a whole lot longer than what is shown here. It also reminded me why I rarely include text in my work. Even though it was a royal pain to cut out, I’ve got to admit that it sounds really cool when chanted. Now all I need to do is decide whether I like the red, or if a starker (and less gory) color scheme suits the tale better.

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Geat illustration, really nice!

Beautiful. Hauntingly beautiful.

I love this piece! The guy and the writing look great.

As for the red, I think the long bit on the right works but maybe the other bit is more distracting/leads the eye off the page? the tone of the red looks good to my eye, on my monitor anyhow.

Beautiful and thoughtful piece. Great layout.

Brilliant and amazing!

patrick

this is staggeringly beautiful and evocative piece
…comme toujours
I love it
paul

Thank you to visiting my blog, so I could find your amazing works! Really evocative and with a such powerful carachter. Thx again!

Long time since I have been here, and I am certainly not disappointed, gorgeous work abound. This piece is my favourite. Happy belated new year.

I like to know where or how I can purchase this piece and some of the others. It looked as if some of them were either sold out or not for sale. I have a couple of ones specifically in mind that I would like

thanks Dante’ Smith

Thanks everyone, for the comments and compliments!

Dante - Thanks! I’ve got a few pieces for sale through Gallery 1988 San Francisco at the moment. You can also just get in touch with me directly. I’ve sent you an email about that. (But yahoo mail sometimes doesn’t like me, so you might want to check your bulk mail folder). Hope to hear from you soon!

Absolutely amazing piece here, I love it. Beautiful use of shade that would very well compliment one of my own personal favorite pieces created by Cam De Leon, “Fishboys”. The man’s facial structure is put together so well with the use of shade, its amazing! Not to mention, the haunted disturbia left upon his face seems so morbid/stunned that I can’t really place his emotion into words! As well as the dark snake-like figures behind him and the ‘odd’ red objects behind him just may perhaps give him this ’sudden’ distilled attitude…

If this EVER goes out on sale, I’d love to have one for myself(as greedy as that may sound!). I indeed enjoy your ‘darker’ pieces as you seem to have nailed down the use of color with them. I really do hope to see more like this!

-John-

Thank you, John! I really appreciate your compliments on poor Hoichi here. Luckily, the words are provided, so there’s no need to struggle too hard to find them. I’m so happy that my intentions come through the art, emotionally speaking. That may be one of the toughest and most important aspects of creating anything.

As for being on sale, technically, all my work is (thought sometimes I like to hang onto some pieces for a little while…). Drop me an email if you are interested. If you were thinking more along the lines of a print, I’ll probably get to that somewhere down the line. Thanks again!

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