
cut paper on illustration board
about 14 3/8 inches x 10 1/4 inches (364cm x 257cm)
click the image for a Bigger, Burlier hunk of Beef
2009 will be the 丑年 (ushidoshi), the Year of the Ox. Or Cow, if you prefer. Prosperity through strength, fortitude, and a level-head. Being a reformed farmboy, I haven’t been impressed with either the intelligence or leadership of the domestic cow. I’m willing to give the much more commanding ox the benefit of the doubt, though.
You might notice a bit of a similarity to another piece of art I pasted together not-so-long-ago. As is often the case when I work, I end up with unused pieces. In this case, the bright red of the cow was left over from that project. Although I loved the color, it didn’t work as well as the red and gold paper. That leftover piece gave birth to this idea; a more minimalist Ox for a clean, fresh New Year.
Truthfully, I’m a little torn about one thing. The best piece of advice I ever got for my art was to let the paper be paper. So many people beginning to work in cut paper make the same mistake I did; trying to force the paper to be/look like a different medium. When I finally allowed the paper to be true to it’s own self, my work took a running leap forward. With that in mind, I’m a bit conflicted over the faux-sumi-e (墨絵) splash. It was so central to the concept that replacing it was unthinkable…but it broke one of the few rules I set for myself. Even though it looks hella-cool.
Here’s the other Cow/Ox piece, “On the Mountain’s Top, A Forest of Green”. Let me know which one you like better!
cut paper on board
8 x 10 inches
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Ok, the faux-sumi-e stroke is a new step, SUPER…perhaps in tune with the up coming new year….as well the hoof placement of the “new” Ox is much more earthy…he’s taking up more comfortable space with this confident stroll around the pasture. However the original…’On the mountain top…’ is so truly majestic…the contrast of the red and green… it wants to be the Ox and Taurus all at once…
So fantastic that one work of art has begot another…I love to quilt and find that left over scraps make the best fodder for the next. Love the repetition of ideas, archetypes…not unlike the gray personae….’Until That Day…’ He’s so full of, yikes… fascinating gray matter. And most splendiferously interesting are the references to Japanese symbolism, great.
New ground, however…fantastic…!
bridget -
Love them both, one more complicated than the other. One is majestically powerful with mythical overtones, the other simple, bold, earthy. As far as technique goes, it’s ok to draw outside the lines, the effect is awesome, the colors perfect. Simplicity reigns.



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