Gallery Show: はさみの音 – The Sound of Scissors

はさみの音 - The Sound of Scissors @ Niji Gallery, Kichijoji, Tokyo
It’s been a little quiet here at PaperCuts recently, and with good reason. I have been buried up to my arms in paper preparing for… taxes. Yes, tax season in Japan comes a full month before the US’s relatively laid-back April deadline. And as an American living abroad, I get the pleasure of participating in both tax seasons, doubling my paperwork pleasure. Oh yes, and I’ve also been hibernating.

But I’m breaking out of my frozen slumber for a celebration of all things papery and cut with はさみの音 (hasami no oto) – The Sound of Scissors. This will be the first all-切り絵 Cut Paper Show I’ve had the honor to join, and I couldn’t be more thrilled. We’re a diverse bunch with work ranging from children’s book style to more mature themes, from traditional to contemporary. The art is rich in color and shape and line. The theme this year is “Travel”, a subject wide-open in it’s possible interpretations. I’m excited to see the work everyone comes up with, and I urge everyone in the area to stop on by.

Here are the folks involved:

the details:

name: はさみの音 – The Sound of Scissors

greeting reception: TBA

dates: Thursday March 18 – Tuesday March 23, 2010 12pm-8pm

place: 〒180‐0004 東京都武蔵野市吉祥寺本町2‐2‐10 / Tokyo, Kichijoji Honmachi 2-2-10

access:(JR中央線 吉祥寺駅より徒歩4分)

tel: 0422-21-2177

gallery website: right here.
はさみの音 - The Sound of Scissors @ Niji Gallery, Kichijoji, Tokyoclick image to enlarge

  1. Bridget’s avatar

    Patrick,
    Haven’t conversed with you for quite some time. Absolutely LOVE and admire the prints I ordered. Am oh so taken by the duo-panel of lightening and thunder… I’m oh so curious as to how one is able to surrender the greco-roman myths of euro-centric childology in the U.S for that of another culture…you seem to have done so..and quite subtly!!! Love what you do with scissors and paper!
    Hope all is well,
    Bridget

    Reply

    1. Patrick’s avatar

      Hey Bridget – I’m glad that you like the prints and the Raijin Fuhin diptych. I’m very happy with the way that one came out, and I hope to do more diptychs in the future (when the theme is right).

      I don’t think I surrendered the Greco-Roman mythology at all, nor my eurocentric mythology. Rather, I think I’ve just opened myself up to the Shinto mythology and let them all mingle together in one huge deity melting pot. When I was a kid, I was equally into the Greek gods and the less immortal Norse gods (though I gotta admit, I liked the Greek stories better back then). It’s not really a conscious choice; I think I pretty much accept them all as they are, let them hobnob, and see what happens. It’s a massive pantheon party down here.

      Reply

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