January 2012

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The River's Cascade, Under the Blossoming Plum cut paper art by Patrick Gannonsize: 8 x 10 inches
medium: cut paper on illustration board

There was a time, eons upon eons ago, before the earth had fully cooled or I had graduated from junior high school, when I drew dragons. Daily. In math class. Typically surrounded by broken swords, shattered shields, and bristling with spent arrows. I’m fairly sure this is the first dragon I’ve drawn since those hallowed days of yore.

One of the things I enjoy most about doing the artwork is the research, long before pencil touches paper. Often, pieces such as this, where I know ahead of time what the subject will be, but not the concept or emotion, are the most difficult to get a firm grasp on. I have to ask myself, “What does a dragon mean to me, metaphorically, conceptually, emotionally?”. Aside from my inner (and still very much alive) middle-schooler who just thinks dragons are awesome.

Thus begins the research into the myth, mythology, and symbolism of the subject matter. Granted, it might appear that I’m wasting vast amounts of time surfing the web, but I assure you, that is not so. For example, The Japanese dragon is usually drawn with three claws. The Chinese dragon has five – at least the one which represents the emperor does. In both traditions (and Japan’s draws heavily from China’s, while also making it uniquely its own), the dragon is associated with water.

One of the thoughts inescapably running through my brain for the past couple months has been the earthquakes and tsunami of the past Spring. In my original sketches, I played up the ideas of a more violent clash between earth and water, along with a morally ambiguous wyrm. In the end, it is more appropriate that 2012 be represented by an auspicious water deity.

I’ve been playing alot recently with layering. It’s most obvious in the waterfall, which becomes more multi-hued and complicated where it merges with the dragon. The big lizard itself is an experiment in layers to push and pull certain parts of the creature back or pull them forward. Some areas of scales are above the line-work, while others are beneath.

To rip a page from the incredible Karl Kerschl, here are some of my favorite dragon-y things:

  • The Hobbit
  • The constellation Draco
  • Dragonball
  • My coolest belt
  • this calendar:

The 2012 Cut Paper Art Calendar, interior(you didn’t really think I’d be able to resist the self-promotion, didja?)

Happy New Year!

After moving to Fukuoka, it took a little while for me to get my aging engine warmed up. Happily, that period seems to be sliding behind with the new year, and I am fully revved and roaring into 2012.

2012 cut paper art calendar  available now We begin with the 2012 Cut Paper Art Calendar. It began its life as a project on Kickstarter, where it was successfully funded. Printing is finally done, and the first few batches to the Kickstarter backers have all been shipped out. Happily, there are still a limited number of calendars left!

Calendars are available from the shop at US $30 apiece, including shipping. Jump on over and click the red “Buy International” button for everywhere outside Japan. If you want to buy more than one copy, please contact me; maybe I can help you save a little money on shipping! For those of you in Japan, the cost is ¥2500 (shipping included). Just select the “Buy Japan” button.

まだ切絵カレンダーの在庫に余裕があり、1点2,500円(送料込)で販売していますので、お買い求め頂けます!口座振込みでのお支払いをご希望の方は、Eメールでご連絡ください。Paypalでのお支払いをご希望の方は、下記にある赤字の「Buy 日本」ボタンをクリックしてください。

Next up is the 新春クラフトマルシェ / New Year’s Marche Crafts at Seibu Shibuya. This group show of some of my newest art was a last minute addition to the schedule, and I’m afraid that I didn’t have much time to let people know about it. I myself was unable to take the trip north to Tokyo, but one of my good friends snapped a photo of some of my work. You can see it here.

Coming Soon, there’s a bunch of new art that very few people have ever laid eyes on. There’s a very cool interview I had the pleasure to do recently that I can’t wait to share with everyone. Not to mention all of the little, secret projects that are coming together to make 2012 an amazing, art-filled 366 days.