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New Print by Patrick GannonThe fourth and final giclée in the 2009 Autumn series of prints, Down on the Bottom Again stands semi-patiently waiting in the shop.

You can read about the original art here. I’m wracking my brains for something clever to say about this poor chap right now, but the truth is that both he and I are breathing a sigh of relief that all of the prints are finished as promised before November is naught but a memory. It’s hardly humble, but I think they came out pretty dang good too.

So, if you’ve been holding off on ordering, hold no longer. Prints ship priority, so barring the wrath of the postal gods, there should still be plenty of time to grab up one or two in time for the holidays. Of course, I guarantee nothing except that I will do my best to get everything out the door quick as a bunny.

Oh yeah, The 2010 Cut Paper Art Calendar is nearly ready too! I’m just waiting on the final color. And this time I promise that, at the very least, it will be for the correct year. Check back soon for an update.

New Print by Patrick GannonThe third giclée in the 2009 Autumn series of prints, Red Thread Expectations is, I admit, a day or two late. However, I have enough good news that, not only will you forgive it’s tardiness, but you will finish reading this post with a grin in your heart and a warm feeling on your face.

First tidbit of good news: This past Thursday was my birthday! Yay! I’m a year older! Truthfully, I kinda sorta don’t believe in time, so a year more or less doesn’t change my life a whole lot. But I am always down for celebrating. Tho I’m still waiting for my cake… hurm.

Second tiddlywink of good news: This past week saw me finishing the last of the work for The Way of Flow show at C.A.V.E Gallery, and shipping it all out! Woo Hoo! And I didn’t have to pull a single all-nighter to do it. Which is good, ‘cuz at my age they really take it outta me.

The third and final tadpole of good news: The Red Thread Expectations giclée print is available in the shop! I’ve always loved the Japanese concept of the red thread of fate invisibly connecting soul-mates and lovers and the myriad ways that can be used as a conceptual launching point.

I’ll be introducing one more print before this month is over, and then the shop will be just about set for the Holiday season. Except for one more thing. Which is nearly ready. As for the prints, If you’re thinking of ordering more than one, you should probably wait ’til the last one has been announced. After all, there’s no reason to pay shipping twice. All Gicleés are printed on A4-size Deep PV fine art paper.

A Welcome Print

New Print by Patrick GannonIntroducing the second in the 2009 Autumn series of prints: A Welcome Messenger.

Honestly, I have no idea why this one took so long to make. There’ve been tons of requests for it, and it holds a special place in my heart. Messenger, along with Hitching a Ride on the Breathe of Fortune marked an exciting change of direction in my work. In a way, nearly all the work I’ve done since coming to Japan has evolved out of these two pieces.

The plan to introduce a new print each week in November is still in effect, and I’m a little shocked that I’ve actually stuck to the schedule. As long as you look at calendar weeks, and not periods of seven days anyway.

Again, If you’re thinking of ordering more than one, you should probably wait ’til they’re all out. After all, there’s no reason to pay shipping twice. All Gicleés are printed on A4-size Deep PV fine art paper.

The Way of Flow @ C.A.V.E. Gallery, Venice, CAI’m not sure which is weirding me out more: that I’m the featured artist for this show, or that it ends in 2010. I mean, 2010?!? Can you believe it?

I’ll update this entry with some more info and thoughts in the morning… right now, I just want to say that I’m thrilled that the good folks at C.A.V.E. have such faith in my work.

Update:
If you’ve been wondering why there hasn’t been a whole lot of new art posted recently, the answer is Flow. Here in Tokyo, it’s been nose to the grindstone time making new art and trying to give folks a great reason to go to C.A.V.E Gallery to check out this show. I think it’s going to be amazing. Not only have I been trying out some new things and working with new shapes, but the list of artists showing their work with mine is impressive indeed.

I’ll be posting teasers and previews of the new work soon. For those of you in the US, this will be the last chance to see the cut paper work in person this year. Unless you’ve picked up a piece, that is. Then you can look at it everyday. I’ve got one more small group show here in Tokyo coming up in mid-December, and then I’m planning on taking a little break for the holidays.

This is going to be an eye-popping show, and I hope that all of you (and your friends, families, acquaintances, and strangers grabbed off the street) can drop in at the gallery. Since I’m trapped here in Tokyo, send some photos of the show and I’ll post them here or on my Flickr page!

the details:
Name: The Way of Flow

opening reception: Friday December 4, 2009 (?)

dates: Friday, December 4, 2009 – January 2, 2010 (the gallery is open Wed-Sun, 11am-4pm or by appointment)

place: 507 Rose AVE, Venice, CA 90291
Tel: 310-450-6960
gallery website: right here.

Paper Mice and New Prints

New Print by Patrick GannonThe last time I kicked out new prints, I was flabbergasted to discover that it had been a year since the previous series had come out. I swore not to make that mistake again (this year…). Today, I make good on my silent promise I made to myself when there was no chance of being overheard!

Introducing The Plum Blossom and the Fertile Breath, the first in a series of open edition prints debuting this Autumn. “Plum Blossom” is available in the shop today.

The plan is to introduce one print a week for…a couple weeks. There’ll definitely be two more. And If I can manage it, a third. If you think there’s a chance you’ll order more than one, you should probably wait ’til they’re all out. After all, there’s no reason to pay shipping twice. All Gicleés are printed on A4-size Deep PV fine art paper.

Big News is on the horizon. Just got to go with the flow with this one.

Grrrrrrrrowl!

Tiger cutout cut paper art by Patrick Gannon

Got some big news coming soon.

Until then, Eye of the Tiger, baby!

AmeCome 2009 exhibitIt seems strangely appropriate that the day after the American Comics 2009 and Raijin Fujin exhibits drew to a close, Japan got hit with the biggest typhoon in ages. There was about a week of rain leading up to it, and an appropriate amount of gusting wind. Happily, the apartment is still standing and, aside for a couple late trains, Tokyo is no worse for the wear.

I’ve spent most of this past week recovering from the string of all-nighters leading up to these two shows. Even with the lack of shut-eye, I’m thrilled with the way the shows turned out. There was some fantastic artwork, and a huge turnout. If you look closely at those photos, you might even notice some new cut paper art hanging on the walls. I’ll be posting it here as soon as I can shepherd it through photoshop.

A hug Thank-You! goes out to everyone who was able to stop by the show and chat!

I wish I had had the time to get snapshots of everyone’s work. As it is, I only was able to circle half the gallery before I got shanghaied.

The photos I was able to take are on Flickr here.

風雷暴 / Fujin Raijin Exhibition @ Gallery G2, Ginza, Tokyo opens Thursday October 1 - October 6, 2009

Like the ebony and ivory keys on a piano; like checks and balances; like peanut butter and jelly, Fujin and Raijin complete each other. The Japanese Gods of Wind and Thunder (respectively), they are nearly always pictured together, riding on the darkening clouds of an oncoming storm. Raijin bangs his thunder-drums and hurls lightning at humans and their defenseless bellybuttons. Fujin, like his breezy Greek coworker Aeolus, hauls the raging winds around in a sac and sends them screaming down to earth. They’ve spent uncountable eons together, ravaging the world with storms and typhoons.

One has to wonder, though, about their relationship. After all, it can’t be easy spending so much time together. Particularly when they are both such strong, distinct personalities. I don’t think it’s an accident that artists often depict them in the midst of a spat.

Modern artists’ stormy relationship with these two demonic looking gods is the theme of Gallery G2’s 風雷暴 / Fujin Raijin Exhibition starting this Thursday in Ginza. I’ll be showing a piece or two myself…which is why I’m gonna cut this short so I can get back to work.

I plan on being in the gallery on the opening day (Oct. 1st), at least until the lack of sleep catches up to me, and on a few hours on Sunday Oct. 4th. And I’ll be at the American Comics show at Gallery Kopis in Kiyosumi Shirakawa on Saturday Oct. 3rd from around 3pm until it closes at 5pm. Drop me a line to get times closer to the dates!

Here are the details:

Name: 風雷暴 / Fujin Raijin Exhibition

dates: Oct. 1 (Thurs) to Oct 6th (Tue) 2009

Times: 12pm to 7pm (Last Day: Closes at 4pm)

place: Gallery G2; located in Ginza, just around the corner from Melsa (メルサ).
Tel: 03-3567-1555
gallery website: right here.
MAP

日付: 2009年10月1日(木)〜10月6日(火)
時間: 12時〜19時 / 最終日は16時まで
住所: Gallery G2 東京都中央区銀座2丁目8−2 日紫1F
電話: 03-3567-1555

American Comics Exhibition 2009 ~Superheroes~  @ Gallery Kopis, Kiyosumishirakawa, Tokyo opens Sunday September 27 - October 3, 2009

Guess who’s back?! (hint: it’s me!)

Yes, I am again at one with the world electronical. Like just about every superhero ever (with the current exception of Bruce Wayne, who is still extremely deceased-ish… today) my computer has slapped away the grasping fingers of death to return triumphant to the realm of the animated. And boy, have I got some catching up to do.

First on my list, I am proud to announce my participation in the American Comics Exhibition 2009 ~Superheroes~ / アメリカン・コミックス展2009〜スーパーヒーローズ〜 .

Organized by my good friend Patrick Washburn, 14 American and Japanese artists have created original work based on a “Superhero” theme. The artists range from those who work in the field of comics to painters to some guy who makes art out of nothing but paper. I expect some very cool, original takes on the theme.

the details:
Name: American Comics Exhibition 2009 ~Superheroes~
           アメリカン・コミックス展2009〜スーパーヒーローズ〜

Official Website: All the Information You Need is Here!

dates: Sept. 27 (Sun) to Oct 3rd (Sat) 2009 (closed Tuesday the 29th)

Times: 11am to 7pm (First Day: Opens at 1pm; Last Day: Closes at 5pm)

place: Gallery Kopis; located less than a minute from Kiyosumi-Shirakawa St. exit            A3.
Tel: 03-5639-2381
gallery website: right here.

日付: 2009年9月27日(日)〜10月3日(土)
時間: 11時〜19時 / 火曜日休み / 初日開場は13時〜 / 最終日は17時まで
場所: 清澄白川駅から45秒にあるギャラリー・コピス。
住所: ギャラリー コピス 〒135−0021東京都江東区白河1−2−12 1F
電話: 03-5639-2381

Electric Narwhal Original cut paper Art by Patrick GannonCatastrophic hard drive failure is exactly as fun as it sounds. Which is to say, no fun at all. Especially when it hits two times in under a year.

Yes, it’s been a little quiet around these parts lately. A deceased computer will do that to a blog. A year ago, when my iMac’s hard drive shuffled off this mortal coil the first time, it had the decency to make horrible electronic gasping sounds, ticks, and shivers for over a month before it gave up it’s digital ghost. This time around, it was a sneakier process. A video I was watching started to stutter without warning. Then, that curs-ed spinning beachball popped up everytime I tried to do something. Everything still worked, just really, really slowly.

So, I went through the usual routine of cleaning things up and running repair programs. They all said everything was okay. Except it obviously wasn’t. Just to make sure, I decided to perform a long-overdue backup of the whole machine. And that’s when everything went to pieces. See, to do a complete backup, one must first erase one’s old backup.

See where this is going? A word to the wise: When you’re machine starts being weird, don’t erase your old backup. Luckily, I was able to copy almost all my important files. One by one. Took me three days. And I still lost one scan of a piece of art. And my whole iTunes collection (thank goodness I burned that to disk a little while back).

Anyway, two important announcements come from this techno-tragedy.

1. My computer is in the shop, and should be back in my (somewhat more impoverished) hands by the end of the week. It’ll take a little while to get things up and running. And probably a long while to get everything back the way it was. Until then, my computer-related activities will remain cramped.

2. Please backup your computers, especially those of you with weak hearts. Since it’s almost impossible to end our dependence on our silicon masters, we might as well make it harder for them to dangle us at their mercy. For my Mac-toting friends, I recommend a little app called SuperDuper. Being able to make a bootable carbon copy of your computer is a blessing, and it saved my bacon last time this happened. Actually, if I hadn’t been such a cheapskate and just shelled out the thirty bucks to get the full software, it would have saved me this time too. Guess what I’m doing the day I get my machine back?

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