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A Bright and Sunny Day tattoo of cut paper art by Patrick Gannon
A Bright and Sunny Day cut paper art by Patrick GannonI have no tattoos.

I’m not sure why, really. I dig art and design and squiggly spiral lines. You would think the ink would be right up my alley. It’s the commitment. The permanence of the thing. That much ink and intent absorbed indelibly into the flesh. It defines you, at least at that one moment in time. It’s a flag stabbed into the earth declaring, “This is me. This is where I stand”.

Which, when I think about it, is pretty much exactly the same thing I do when I cut and glue and make each new piece. Except that I never run out of canvas. And if it turns out really bad, I can stick it in a drawer and hide it from the world.

All of which is a long way to go to talk about this leg. The leg is from Brooklyn, NY, USA where it is still attached (I assume) to Jared Roberts. It’s tough to express how flattering it is that Jared liked my work enough to carry it with him all the time. Thanks, Jared, for a huge compliment!

The tattoo, by the way, is based on A Bright and Sunny Day, a piece I did a little while back about a little dude who likes to eat clouds.

As for me, I’ve been keeping busy by making sure I didn’t get kicked out of the country. Oh, and I’m working on making a couple of big pieces. Bigger and more complicated than I’ve done in a while. I’m very excited and a little scared. Which is usually a fortuitous formula for making art. Also working out some plans for upcoming shows and whatnot, all of which I’ll be talking about when the details are concrete. Read the rest of this entry »

はさみの音 - The Sound of Scissors photographs
The way things usually work is as follows:

I plan and scheme and schedule for a couple of months before each Tokyo exhibition, working out the time needed for every piece of art and pre-show preparation, making sure to give myself plenty of time for accidents both happy and grumpy. Then, somehow I’m pulling an all-nighter right before the show, putting the finishing touches on one more piece I Just Had To Do. The morning of the show, basking in the victory of completion, I pack up every item and head out. Every item but one.

That item is inevitably a camera. Hasami No Oto (The Sound of Scissors) at Niji Gallery last month followed this pattern pretty closely. However, in days past, I would somehow manage to forget the camera (or to charge the battery) each and every time I dropped by the gallery. This time I remembered it on the last day. Probably because my vigilant wife accompanied me.

Sadly, that didn’t mean that I was conscientious enough to actually use it. The poor little thing sat in my bag all day, mewing like a forgotten kitten, waiting to achieve it’s snapshot-snapping purpose. And I ignored it. Luckily, my friend Mayuko Fujino, another artist at the show, had just accidentally bought a humongous digital SLR and was experimenting with it all day. You can see the fruits of her labors right here.

So, a big thank you goes out to Mayuko for sharing the photos with me and letting me share them with all of you. I hope those of you who couldn’t make it to the show feel as inspired by the wide variety of cut paper artwork as I was. Enjoy!

はさみの音 - The Sound of Scissors photographs

Stop by Niji Gallery Saturday the 20th after 3:30pm or on Monday the 22nd (it’s a national holiday!) to chat. I’ll be hangin’ out, checkin’ out all the paper art, and breakin’ out the charm. The only thing I won’t be doin’ is makin’ out.

Oh yeah, if the map on the postcard is a little too… hand-drawn, here’s the google version.

はさみの音 - The Sound of Scissors @ Niji Gallery, Kichijoji, Tokyo
It’s been a little quiet here at PaperCuts recently, and with good reason. I have been buried up to my arms in paper preparing for… taxes. Yes, tax season in Japan comes a full month before the US’s relatively laid-back April deadline. And as an American living abroad, I get the pleasure of participating in both tax seasons, doubling my paperwork pleasure. Oh yes, and I’ve also been hibernating.

But I’m breaking out of my frozen slumber for a celebration of all things papery and cut with はさみの音 (hasami no oto) – The Sound of Scissors. This will be the first all-切り絵 Cut Paper Show I’ve had the honor to join, and I couldn’t be more thrilled. We’re a diverse bunch with work ranging from children’s book style to more mature themes, from traditional to contemporary. The art is rich in color and shape and line. The theme this year is “Travel”, a subject wide-open in it’s possible interpretations. I’m excited to see the work everyone comes up with, and I urge everyone in the area to stop on by.

Here are the folks involved:

the details:

name: はさみの音 – The Sound of Scissors

greeting reception: TBA

dates: Thursday March 18 – Tuesday March 23, 2010 12pm-8pm

place: 〒180‐0004 東京都武蔵野市吉祥寺本町2‐2‐10 / Tokyo, Kichijoji Honmachi 2-2-10

access:(JR中央線 吉祥寺駅より徒歩4分)

tel: 0422-21-2177

gallery website: right here.
はさみの音 - The Sound of Scissors @ Niji Gallery, Kichijoji, Tokyoclick image to enlarge

lines and colors logoHere’s a belated Thank-You to two great websites that featured some of my work a little while ago.

Lines and Colors is, in their own words, a blog about drawing, sketching, painting, comics, cartoons, webcomics, illustration, digital art, concept art, gallery art, artist tools and techniques, motion graphics, animation, sci-fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else I find visually interesting. If it has lines and/or colors, it’s fair game.

I’ve been a fan for ages, and have bookmarked any number of inspirational and helpful articles posted about art, illustration, and web design. Here’s an ol’ favorite from about two years ago when I was re-jiggering my website.

Juxtapox Magazine should need no introduction. They have been championing and defining urban, low-brow, pop surrealist and underground art for over a decade and a half, and are currently the biggest art magazine in the US. It was through this magazine that I first came to know of this art movement (otherwise unavailable to an east-coast country kid), and been introduced to countless influential and inspirational creators. Their Reader Art section is a great way to experience new and upcoming artists.

Thanks guys! I appreciate the support!

Juxtapoz Magazine logo

Cut to the Chase Event promo with Patrick Gannon Hey everyone, I’m doing a workshop on Friday! It’s reservation only, so if you’d like to see me turn tomato-red while chatting about how cool Cut Paper Art is, and you’re going to be in the Tokyo area, grab a seat. Here’s the description:

For centuries, cut paper has had a place in storytelling and folk art traditions throughout the world. From intricate Chinese cutouts to Mexico’s Papel Picado to European silhouettes, papercutting has been a vibrant part of the craft life of many cultures. Cut paper became a popular technique with childrens’ book illustrators, valued for lively colors and versatility. Recently cut paper has received renewed attention from artists, merging modern creativity and thought with traditional techniques.


In this 90-minute workshop, cut paper artist/illustrator Patrick Gannon will conduct a brief tour of the history of Cut Paper art traditions throughout the world. Modern papercutting art from various artists and illustrators will be introduced. He’ll demonstrate some of his techniques for creating this fascinating and fun art form and lead participants in the creation of their own cut paper illustrations. Participants are encouraged to bring sketches, characters, or story ideas that can be used as a creative starting point for their illustrations.

And the details:

Time:  Friday, January 29, 2010, 7:00-8:30 p.m.
Place:  Tokyo Women’s Plaza, Conference Room 2
           5-53-67 Jingumae, Shibuya-ku, Tokyo
           (by the Children’s Castle and United Nations University)
For a map see www.scbwi.jp/map.htm
Fee:  SCBWI members 1,000 yen
         Non-members 1,500 yen
Reservations:  Contact info@scbwi.jp by January 28
Materials to Bring:  

  • sketch pad or paper
  • colored paper (optional)
  • pencil or mechanical pencil
  • eraser
  • scissors
  • glue or glue stick (optional)
  • cutting mat (if you have one) or A4 to A3 size sheet(s) of thick cardboard
  • NT design cutter / X-acto knife and blade (if you have one)

This event will be in English;
Japanese interpretation available on request.

Also of note, this is the first time I’ve ever posted a photo of myself on this blog. Try not to let it scare you off from the event.

2010 Patrick Gannon Cut Paper Calendar
Click to see a bigger preview

The 2010 Cut Paper Art Calendar, featuring 12 of my favorite (and seasonally appropriate) works is now available. Made entirely of cut and torn paper (and often wood) in his studio in Tokyo, Patrick’s artwork is a collision of American and Japanese pop-culture, mythology and wonderous creatures amid a landscape of jagged edges and amazing textures.

And look, Lulu has this nifty new preview thingy! It might take a minute to load, but you can flip through all the art, including the brand new From the Bamboo Forests of the Night, just for 2010′s Year of the Tigger!

EtoEtceTora at Gallery kopis, opens December 13, 2009Ooh, this is gonna take a little work.

The title of the show, I mean. See, I totally didn’t get it myself until my stupendous wife explained the triple-layer pun to me. I don’t know if I’ll do it justice, but I’m a-gonna give it a whirl. 干支 (Eto) means the 12 Constellations of the Chinese / Japanese Zodiac; which just happens to be the main theme of this particular show. Et-cetera means what you think it means, but in katakana it reads エトセトラ. Say that “Eto-se-tora”. Following so far? 2010 is the year of the Tiger, in Japanese 寅 / Tora. And there you have it, three pronunciation-puns-in-one.

Oh yeah, and there’s gonna be all kinds of art on the wall from a bunch of talented folks. I’ll be a tiny part of the show, and plan on hanging out in the gallery a bit, at least on opening day and closing day. Stop on by if you happen to be in the neighborhood or own a Leer jet. Here’re the details:

Name: EtoEtceTora 「干支 エトセトラ・・」

Place: Kópis Gallery (http://www.g-kopis.com/)
near Kiyosumi-shirakawa station, Tokyo
ph. 03-5639-2381
1-2-12 1F Shirakawa, Koto-ku, Tokyo 135-0021

Dates: Sunday, December 13 – December 19, 2008 (Gallery closed on Tuesday, the 15th)
Time: 11am to 7pm (from 1pm on the 13th, until 5pm on the 19th)

Email me for times I’ll be there (though punctuality I do not promise).

Here’s a link to the gallery (all in Japanese!)

And here’s a map).

English directions from Kiyosumi-Shirakawa station: Just use exit A3, when you finish climbing the stairs take a left and then another immediate left. When you hit the road, go right and the Kopis Gallery will be on the next corner. Takes about 3 minutes.

New Print by Patrick GannonThe fourth and final giclée in the 2009 Autumn series of prints, Down on the Bottom Again stands semi-patiently waiting in the shop.

You can read about the original art here. I’m wracking my brains for something clever to say about this poor chap right now, but the truth is that both he and I are breathing a sigh of relief that all of the prints are finished as promised before November is naught but a memory. It’s hardly humble, but I think they came out pretty dang good too.

So, if you’ve been holding off on ordering, hold no longer. Prints ship priority, so barring the wrath of the postal gods, there should still be plenty of time to grab up one or two in time for the holidays. Of course, I guarantee nothing except that I will do my best to get everything out the door quick as a bunny.

Oh yeah, The 2010 Cut Paper Art Calendar is nearly ready too! I’m just waiting on the final color. And this time I promise that, at the very least, it will be for the correct year. Check back soon for an update.

New Print by Patrick GannonThe third giclée in the 2009 Autumn series of prints, Red Thread Expectations is, I admit, a day or two late. However, I have enough good news that, not only will you forgive it’s tardiness, but you will finish reading this post with a grin in your heart and a warm feeling on your face.

First tidbit of good news: This past Thursday was my birthday! Yay! I’m a year older! Truthfully, I kinda sorta don’t believe in time, so a year more or less doesn’t change my life a whole lot. But I am always down for celebrating. Tho I’m still waiting for my cake… hurm.

Second tiddlywink of good news: This past week saw me finishing the last of the work for The Way of Flow show at C.A.V.E Gallery, and shipping it all out! Woo Hoo! And I didn’t have to pull a single all-nighter to do it. Which is good, ‘cuz at my age they really take it outta me.

The third and final tadpole of good news: The Red Thread Expectations giclée print is available in the shop! I’ve always loved the Japanese concept of the red thread of fate invisibly connecting soul-mates and lovers and the myriad ways that can be used as a conceptual launching point.

I’ll be introducing one more print before this month is over, and then the shop will be just about set for the Holiday season. Except for one more thing. Which is nearly ready. As for the prints, If you’re thinking of ordering more than one, you should probably wait ’til the last one has been announced. After all, there’s no reason to pay shipping twice. All Gicleés are printed on A4-size Deep PV fine art paper.

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