The River’s Cascade, Under the Blossoming Plum

Featured Art and events

The River’s Cascade, Under the Blossoming Plum The River's Cascade, Under the Blossoming Plum

Akemashite Omedetou Gozaimasu 2012

Featured Art and events

Akemashite Omedetou Gozaimasu 2012 Akemashite Omedetou Gozaimasu 2012

This Hunger Shall Not Be Satisfied (Futakuchi-Onna)

Featured Art and events

This Hunger Shall Not Be Satisfied (Futakuchi-Onna) This Hunger Shall Not Be Satisfied (Futakuchi-Onna)

Postcard Pack Strikes Back

Postcard Pack 3 - Now available in the shop!

Postcard Pack Strikes Back Postcard Pack Strikes Back

Cold as the Winter Wind, Sharp as a Fox (Yuki-Onna)

Featured Art and events

Cold as the Winter Wind, Sharp as a Fox (Yuki-Onna) Cold as the Winter Wind, Sharp as a Fox (Yuki-Onna)

I imagine that everybody in the world knows about the horrific events that have been going on here in Japan. Before I talk about my own experiences, I urge you to donate anything you can to help the people who were hit hardest.

My older brother works for an NGO which promotes Japan-US international relations, The Japan Center for International Exchange (JCIE/USA). They have partnered with the Center for Public Resources Development (CPRD) to launch the Japan NGO Earthquake Relief and Recovery Fund. They have put together an ambitious and powerful multi-part plan to assist those in immediate dire need now, and also to help rebuilding efforts in the weeks and years ahead.

 

Please consider giving whatever you can.

 

Thank you to all of you who have written to me here or on FaceBook out of concern for my safety. My wife and I are unhurt. Miraculously, so are most or all of my friends and acquaintances. At least as far as I’ve been able to track down.

I’ve been through a number of Earthquakes since coming here – it’s an inevitability living in Japan. This, however was unlike anything I’ve experienced, both in strength and duration. It began like any minor tremor, shaking the apartment gently and giving my wife and I time to calmly ask each other if we should do anything. And then it started to build. And build. It lasted so long that we had time to grab coats and shoes and turn off the gas space heater and run out of the house, all while the ground was still shaking.

The first couple of aftershocks would have been major earthquakes in their own right. By that point, we and a couple neighbors had gathered in a nearby park to try and calm down. The windows in the parks buildings were vibrating so much they looked like rippling water.

Since then, the aftershocks have kept everyone frazzled and on-edge for days. They have lessened in both power and frequency, but that only makes them more surprising when they strike. Like the minor one at 5 this morning which had me leaping out of bed and halfway out the door by the time I realized it was already over. I never knew a person could feel scared and foolish at the same time.

All of which is nothing compared to the horror of the quake and tsunami up north nearer the epicenter.

I don’t know what is going to happen in the days ahead. My original plan was to post more artwork from my recent shows over the upcoming weeks. For the moment, that doesn’t seem likely. The rolling blackouts, panic shopping (there’s very little food left on the shelves), the alarming situation at the Fukushima Nuclear Power Plant, and a dozen other things all add up to a lot of uncertainty and anxiety.

If I get the chance, and you are receptive, I’ll try to share a little more of this … experience. (For example, we just had another little tremor).

F.Michael Kloran is a friend from the local SCBWI. He is unfortunate enough to be in Sendai right now, one of the cities hit worst by the quake. The photos and words he provides in his blog give a vivid picture of what has been happening near the epicenter. It is frightening. And the fortitude he and the people around him have been showing is humbling.

Most importantly, GIVE

verge RETURN @ Ginza Gallery G2 opens Thursday July 22 - July 31, 2010Just off the plane from Verge Art Fair Brooklyn, Ginza Gallery G2 hosts verge RETURN. 14 visionary artists share their varied and spectacular creative spark.

There’s even a touch of cut-paper, including a brand new, never-before seen piece. Heck, I barely saw it. Finished it and sprinted for the Ginza-bound train.

Stop on by! This whole exhibit came into being so quickly that I don’t know when I’ll have a chance to get over to G2 myself. If you’re going, drop me a line and I’ll see if I can haul myself out of the studio in time to meet you.

Here are the details:

Name: verge RETURN

dates: Thurs. March 10 – Tues. March 15, 2011

Times: 12pm to 7pm (Last Day: Closes at 4pm)

place: Gallery G2; located in Ginza, just around the corner from Melsa (メルサ).
Tel: 03-3567-1555
gallery website / MAP: right here.

日付: 2011年3月10日(木)〜3月15日(水)
時間: 12時〜19時 / 最終日は16時まで
住所: Gallery G2 東京都中央区銀座2丁目8−2 日紫1F
電話: 03-3567-1555

Verge Art Brooklyn opens Thursday March 3 - March 5, 2011Here’s a last-minute announcement for those of you in the New York area: Verge Art Brooklyn.

I’m a little embarrassed, as a born New Jerseyian, to admit that until this morning the only DUMBO I knew was the little elephant with ginormous flapping ears. And he’s adorable. But he’s not pertinent to this announcement. DUMBO, it turns out, is a neighborhood in Brooklyn, an acronym for Down Under the Manhattan Bridge Overpass. And its chock full of galleries.

More importantly, it plays host to Verge Art Brooklyn, an art fair which I very recently was invited to join. My work will be on display with Gallery G2, along with a small selection of other artists from the Tokyo area. There’s even a brand new piece, that I finished literally a day before G2′s owner, Kano-san hopped on the plane.

Although I can’t make it over, I think it will be a great event, with tons of red hot art providing relief from the fading, freezing winter. Check it out if you’re in the area!

Details:

Dates: March 3 (Thurs) to Mar 5 (Sat) 2011
Time: Noon – 10pm
Opening Night Party: Thursday, March 3, 10pm-4am
Place: DUMBO, various locations | website

To Breathe the Pale and Shining Moon cut paper art by Patrick Gannonsize: 8 x 10 inches
medium: cut paper on wood

I was tasked, almost a year ago, with the daunting task of making the rabbit sexy. You see, my incomparable wife is a rabbit; or at least of the year of the Rabbit. Among a handful of other adjectives, “sexy” struck me as the least bunny-like. This, despite the rabbit being a long-time symbol of fertility, birth, and rebirth. I think there might even be a contemporary phrase which references the rabbits’ reproductive proclivities. But… sexy? Without resorting to prying open a copy of Playboy?

Here in Japan, there is no man in the moon. There is, rather, a rabbit. Making mochi. All of which got me thinking about the waxing and the waning of the lunar orb, the traditional feminine symbolism of the moon, the fertility of those bunnies, and breath as life. Toss all those into my mental blender and here you go.

The rabbit is the fourth animal in the Chinese (and Japanese) zodiac.

This particular rabbit got snapped up pretty quick at the New Moon show at myplasticheart, but I believe there may still be a Tigger is need of a den.

Woe be me to not plug my other show, Outside, Looking In, at CAVE gallery as well.

Finally, a quick shout out to Mayuko Fujino, who has recently been schooling me on how to build a sexy bunny (some of these may be a tad NSFW)

Outside, Looking In and New Moon 2011 have opened in Venice, CA and New York, respectively. I’m told that both galleries were packed to the gills with impressive artworks and guests stopping by to drink them in. For those of you who, like me, have a couple of miles or an ocean separating you from taking part, both galleries have uploaded their online previews. Check them out!

Outside, Looking In @ CAVE Gallery online preview.

New Moon 2011 @ myplasticheart, nyc online preview.

◊ You may have noticed a couple of changes around these here parts. The website (and, to a lesser extent, PaperCuts) have been in need of an update for awhile. So, I’ve used the relative quiet of the past few weeks to do some major restructuring. For example:

  • The disappearance of the off-white background. Looked good on my monitor, but like mud on others.
  • An entirely new portfolio. This is the big one. The old one was too tough to update regularly, and the images were too small. Over the past few years, my artistic goals have changed, and the old gallery wasn’t working for my new direction. The galleries for 2010, 2009, and 2008 are up right now. I’ll get the previous years and specialty galleries up as soon as I have some time.
  • A new About page.
  • The first step in a new Links page. I’d like to collect a bunch more links; particularly cut-paper artists. So, if you are one, or you know one, comment below and I’ll try to fit it into the list.
  • A new Contact Form. Test it out for me, if you’ve got the notion.
  • The Blog got that nifty slideshow up top so you can see the important things right away. Plus, these very nice fonts, thanks to Typekit. The columns are wider so I can show you bigger pictures. And a nice new rabbit banner.
  • Finally, there are the plans for the future. Expand the links and portfolios, of course. Split the shop into a Japanese version and an international version. Localize the wordy pages for Japan. Make nifty new icons for the twitter and portfolio links in the sidebar. And probably a couple things I can’t remember right now.
  • Let me know what you think in the comments below.

    I’ll start posting about some of the artwork I’ve been holding back until the current gallery shows could get going. Until then, here’s a picture of my wall from last year’s show at the Ann Street Gallery. Enjoy!

    CUT IT UP! Contemporary Papercutters Exhibition  @ Ann Street Gallery, Newburgh, NY opens Saturday November 13 - December 18, 2010

Outside, Looking In @ C.A.V.E. Gallery, Venice, CA opens Friday February 11 - March 5, 2011Announcing the West Coast festivities for International PaperCut’s Day: Outside, Looking In at C.A.V.E. Gallery in Venice, CA. And just like New Moon, the opening reception kicks down the door on February 11th.

Outside, Looking In is a three-man show featuring a mix of highly stylized paintings and Cut-Paper artwork crafted with mind-consuming attention to detail and technical skill. Each artist challenges the viewer to create their own reality and understanding of wondrous, precarious and familiarly alien realms. A fascination with each composition is matched by a fascination with the technique used to create the works.

In addition to myself, the exhibit showcases the incomparable Messieurs Macsorro of Los Angeles and Shay Davis, hailing from San Diego. Admitting that I can’t make it to the show makes me want to sob just a little bit, but I hope that you can. CAVE throws some great receptions (or so I’ve heard), and the art looks to be spectacular.

Oh yeah, and I sent along a little bit of a installation piece.

Details:

Dates: Feb. 11 (Fri) to Mar 5 (Sat) 2011
Time: Wed ~ Sun 12-6 pm | or by appointment
Reception: Friday, February 11, 7-10 pm
Place: C.A.V.E. Gallery | gallery website
Address: 1108 Abbot Kinney Blvd, Venice, CA
Phone: 310.450.6960

Here’s a little art preview

Outside, Looking In @ C.A.V.E. Gallery, Venice, CA opens Friday February 11 - March 5, 2011

New Moon 2011 @ myplasticheart, nyc opens Friday February 11 - March 13, 2011I am unilaterally declaring February 11th to be an international holiday. PaperCut’s day.

Now, doesn’t that sound like the kind of holiday you want to jump right into? PaperCuts for everyone! Give ‘em to your sweetheart, your family, your kids!

First up, it’s PaperCuts for New Yorkers. myplasticheartnyc | gallery is presenting the 3rd annual New Moon: Interpretations of the Chinese Zodiac group exhibit. This year 24 artists will try their hand at re-imagining the 12 zodiac animals of the Chinese lunar calendar. There will be a wide range of art available including paintings, digital, as well as sculptural pieces.

And PaperCuts. Let’s not forget the PaperCuts. New Moon is curated by the inestimable John Wong, who it is always a pleasure to work with. And just take a look at this list of artists! It’s always a thrill to have my work showing alongside such unique and diverse talent. I’ve had a look at some of the preview images, and they are beautiful. Heck, just look at Leontine Greenberg‘s rabbit on the postcard. Exquisite. Sadly, I can’t make the trip to NY for the opening, but I will be there in spirit.

I hope that tons of you can come out to support the art and our new holiday. I’ve sent two pieces to be in the show, both of which I’m very proud of. For a preview, cast your eyes upwards to the title banner.

That takes care of the East Coast. West Coasters, your PaperCuts are coming real soon!

Details:

Dates: Feb. 11 (Fri) to Mar 13 (Sun) 2011
Time: Tues ~ Sat 12-7 pm | Sun 12 am-5 pm
Reception: Friday, February 11, 6-9 pm
Place: myplasticheartnyc | gallery website
Address: 210 Forsyth St., Lower East Side, New York
Phone: 646.290.6866
Map: right here
Read the rest of this entry »

ReCutting

Happy Holidays! and… Don’t Panic

I’ll be fidgeting, fussing, and tweaking PaperCuts over the next couple days. After that, I plan on doing a refresh of the rest of my website too. If things look weird, I’m probably just testing something out, so please try to ignore it. If the blog explodes, hopefully I’ll be able to fix it soon.

So, why redesign? Other than the fact that I’m just tired of that off-white background? PaperCuts has been running for almost 4 years now without any real changes. My art and my career path, on the other hand, have continued to evolve over that time. I’m doing more and more gallery shows these days, which is great. Less great is the fact that I can’t always show the artwork as soon as it’s done. So, the focus of the blog has slowly changed, and I would like it to reflect that change. I would also like to have my artwork be the first thing visitors see when they come to the site, followed by announcements and then longer articles.

And that’s just the blog. The portfolio section is a whole other thing to ponder.

Hopefully, the changes I make will address a few of the shortcomings that have developed. Hopefully.

Please let me know if you have any thoughts or ideas. If you love or hate the changes.

Thanks for your patience, and hopefully this transition will glide along smoothly.

New Print by Patrick GannonThis Summoning Wind blows into the shop today to stand proudly next to its partner “This Lightning Won’t Forge Itself”.

Inspired by the Japanese deities and/or demons Raijin and Fujin, together, these two harness the wind, thunder, and lightning. Basically, all the stuff that make stormy nights kinda cool. Here, we see the pair of them between typhoons. Read the original posts here and here.

Hang them individually, or as a pair (a photo of the originals is below)
This Summoning Wind / This Lightning Won’t Forge Itself diptych cut paper art by Patrick Gannonclick here or the image for a bigger pantheon.

Get both prints in the shop now!

In other happy news, the drama with Japan’s Postal system not shipping packages to the US has, apparently, been cleared up. The whole situation was weird; and the resolution is fully in keeping with the overall oddness. I’ve chosen to interpret the bureaucratic rumbling as “…Man, you guys are a buncha whiners. Fine, have your postal service back. Just don’t call us anymore.” The upshot is that I can now ship whatever I darned well please …and that includes big boxes of prints and art. So, don’t be afraid to order.

New Print by Patrick GannonThe first new print of 2010, This Lightning Won’t Forge Itself has arced its way into the shop.

Read about the original art here.

“Lightning” is the first of three or four new prints debuting in the shop this holiday season. I bet, if you try real hard, you can guess what the next one will be! I’m doing something new with the detail images, including photos of the print in frames and in pretty hands. Check them out on the prints page.

On a weirder note, due to the US’s TSA and Japan’s Postal System, at the moment I can’t ship any packages heavier that 453 grams (about 1lb) by air. That won’t affect most orders, but it does mean that I’ve had to stop offering the set-of-5-prints and original artwork until I can check out the other options. Of course, FedEx is still shipping, if you don’t mind shelling out for next-day delivery. You can read all about the convoluted reasonings for it here. We’ll let everyone know when we work this quirk out.

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